Showing posts with label freeform beadweaving. Show all posts
Showing posts with label freeform beadweaving. Show all posts

Thursday, December 11, 2014

Beadweaving Retreat on Whidbey Island


Give the ultimate creative gift to someone you love!   
Do you know someone who would cherish 4 days of creativity?
Gift certificates for Beads and Color Retreat available
 
February 5-8, 2015

Join us for a beading retreat on beautiful Whidbey Island! Held in my sun-filled studio, you will be surrounded by beads, color, natural light and creative people and pampered with individual instruction, delicious food and wine!


Classes include:




Registration is now open for individual days within the retreat. Discounts are available for those wishing to attend all 4 days. Bonus! grab 3 friends and enjoy a 10% discount when all 4 of you sign up together!

Get your creative juices flowing and join us for the entire retreat, or just a day, and find out why attendees come back again and again from all over the world!

Monday, November 2, 2009

Beaded Colorways is in print!!!

Advanced copies of my new book have arrived at North Light Books!!

Click here to pre-order a signed copy, receive a tube from my Seed Bead Medley, and be entered to win a basket of beads and fibers worth over $400! (details here)!



Beaded Colorways: Freeform Beadweaving Projects and Palettes details my journey from inspiration, to color mixing to freeform expression in beads.

In the first part of the book, I share insights and techniques in working with color to help you gain color confidence. There is even a package at the back with 2 color wheels and 6 templates to help you enhance your color palettes! Follow along with me as I go from inspiration to color wheel relationship to creating bead soups with depth and movement.

The 2nd part of the book launches into freeform beadweaving, with over 20 step-by-step projects sectioned into techniques that build on each other. By the end I hope you will feel like throwing out all of the rules and designing your own freeform works of art!


(the pages shown are pre-print images)

Sunday, March 1, 2009

Work in Progress


Unfinished Project - Freeform Peyote and Netting

I am driven by color - nuances within a single hue, different colors blended together and how they vibrate when placed side by side. This is the main reason I was drawn to seed beads in the first place. They are a glorious medium for creating 3 dimensional color harmony.



Bead Soup Collection (clockwise from top) - Dark Chocolate, Paprika, Burnt Orange, Deep Teal, Grass is Always Greener

Most of my projects start out as piles of bead soups on my work table - so I can see how the colors play against each other. I consult my color wheel, move piles around, add and subtract until I come up with a starting point for my beadweaving.


And here is the other reason I love seed bead soups - they are meant for freeform work. Letting my right brain play, not really knowing where I will end up. Freeform work is faster and so much more fun for me than structured beadweaving. In some part because the piece ends up so different from where it started as if it is a living thing.

I started this project a year ago, but had to set it aside to write books and teach classes. This tadpole was as far as I got and it sat in the corner of my work table surrounded by bead soups. Where would it take me?


I suppose that if I would have completed this piece a year ago, it may have taken me in an entirely new direction. But when I picked it up again a few weeks ago, I decided to wrap the tail in on itself and keep building up the base.

I'm not sure how long this piece will be and need to fill in the chocolate brown, but I can always add on later.




I decided it was time to throw in the teal - a stunning complement to the oranges and reds in my base. I couldn't resist this turquoise doughnut, but it has since proven to be difficult to work with because of it's rigidity.

Lots more to build up!




I am still not finished, but the piece is starting to take shape. Who knows where it will lead me?
(and I need to invest in some camera lighting and various backgrounds for photographing this piece - the vibrancy is lost in the camera's attempt to even out the values - would love some advice!)